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[SGR RARE-02] BUY NOW / PRE-LISTEN
RARE STRICTLY GROOVE #02

Let's enter the year with a very precious record for us and on which we rely to make inroads in your hearts too. Its a 12" limited edition, 300 numbered copies and digital versions exclusively for you at least through 2014 (genuinely, U're an handful of friends and pro DJ among those who we regard and respect more). The side A brings "Goce Impact" yet another masterpiece signed by Salvatore Stallone, a track of over 11 minutes that shows the full class of a visionary and experienced DJ. A round beat with character driven by a magical piano and the arrangement that always move the rhythm up to reach the highest moment where the theme is so friendly, which reassure and sets on fire. The side B opens with "MaryJane" by Daughters & Sons...read more
[SGR-013CD] BUY NOW / PRE-LISTEN
SALVATORE STALLONE - OPS! WO HABE ICH ETWAS FALSCH GEMACHT?

Salvatore Stallone is a DJ since 1974, forty years of experience in the best Clubs and idol in the "off parties" of Ibizan's circuit. In this work for Strictly Groove Records, he puts on pretty much all his artistic background and proves he has nothing to envy anyone. From the charming Deep House and a bit tropical (Voice From Juno) to a sort of Downtempo with the broken rhythm into fragments combined with jazzy inserts (Silvia 's Element II) via lightning Funk (Where Is My Island) and renewing interest in the 4/4 revived by the warmth of the percussion (Slight Tension). Stallone is one who likes to impress, and he succeeds in full with (Possibility Of Dialogue) from which...read more

 
[SGR-012CDu] BUY NOW / PRE-LISTEN
DAUGHTERS & SONS - SOUND ECOLOGY

Juno Records review:
Contemporary disco is an unpredictable beast, none more perfectly defined by this new album by Strictly Grooves' Daughters & Sons. Take opener "Klaus" for example, which starts as moody electroclash before dropping some piano house into the mix. Further on we encounter a dispora of the kind of eclectic sounds favoured by fans of Richard Sen, HMD and Pete Herbert: the sweltering fly-buzz-dub of "Constance", the hypnotic Afro house of "Savana" the far out electro-funk of "Sugar" and the exquisite homage to Debbie Harry down the Paradise Garage, "Blondie".
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